Yesterday we went for a ride in Sesto S. John to see the church compiled by Zucchi & Partners. The facade is a "wind" (= architectural development of the church hide behind) and, with the bell tower leads to a courtyard that opens up via Pisa and visually determining the crossing with Via Cantore also ' orientation of the entrance of the church. The interior is an interesting mix between a longitudinal plan and central plan obtained by the shape of the classroom which allowed a provision of part of sessions on axis with the altar and the other "fan" around it along the lines of the churchyard and the entire composition. Then hit the two "wings" trims connecting walls and ceiling, leaving a glimpse of the ribs of the roof and skylights. For the exterior were chosen, in an abstract composition, slabs of white stone trani, stone, zinc oxide and glass.
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Yesterday we went for a ride in Sesto S. John to see the church compiled by Zucchi & Partners. The facade is a "wind" (= architectural development of the church hide behind) and, with the bell tower leads to a courtyard that opens up via Pisa and visually determining the crossing with Via Cantore also ' orientation of the entrance of the church. The interior is an interesting mix between a longitudinal plan and central plan obtained by the shape of the classroom which allowed a provision of part of sessions on axis with the altar and the other "fan" around it along the lines of the churchyard and the entire composition. Then hit the two "wings" trims connecting walls and ceiling, leaving a glimpse of the ribs of the roof and skylights. For the exterior were chosen, in an abstract composition, slabs of white stone trani, stone, zinc oxide and glass.
Yesterday we went for a ride in Sesto S. John to see the church compiled by Zucchi & Partners. The facade is a "wind" (= architectural development of the church hide behind) and, with the bell tower leads to a courtyard that opens up via Pisa and visually determining the crossing with Via Cantore also ' orientation of the entrance of the church. The interior is an interesting mix between a longitudinal plan and central plan obtained by the shape of the classroom which allowed a provision of part of sessions on axis with the altar and the other "fan" around it along the lines of the churchyard and the entire composition. Then hit the two "wings" trims connecting walls and ceiling, leaving a glimpse of the ribs of the roof and skylights. For the exterior were chosen, in an abstract composition, slabs of white stone trani, stone, zinc oxide and glass.
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