Yesterday we went for a ride in Sesto S. John to see the church compiled by Zucchi & Partners. The facade is a "wind" (= architectural development of the church hide behind) and, with the bell tower leads to a courtyard that opens up via Pisa and visually determining the crossing with Via Cantore also ' orientation of the entrance of the church. The interior is an interesting mix between a longitudinal plan and central plan obtained by the shape of the classroom which allowed a provision of part of sessions on axis with the altar and the other "fan" around it along the lines of the churchyard and the entire composition. Then hit the two "wings" trims connecting walls and ceiling, leaving a glimpse of the ribs of the roof and skylights. For the exterior were chosen, in an abstract composition, slabs of white stone trani, stone, zinc oxide and glass.
Sunday, November 28, 2010
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milan changes - resurrection of Jesus church milan
Yesterday we went for a ride in Sesto S. John to see the church compiled by Zucchi & Partners. The facade is a "wind" (= architectural development of the church hide behind) and, with the bell tower leads to a courtyard that opens up via Pisa and visually determining the crossing with Via Cantore also ' orientation of the entrance of the church. The interior is an interesting mix between a longitudinal plan and central plan obtained by the shape of the classroom which allowed a provision of part of sessions on axis with the altar and the other "fan" around it along the lines of the churchyard and the entire composition. Then hit the two "wings" trims connecting walls and ceiling, leaving a glimpse of the ribs of the roof and skylights. For the exterior were chosen, in an abstract composition, slabs of white stone trani, stone, zinc oxide and glass.
Yesterday we went for a ride in Sesto S. John to see the church compiled by Zucchi & Partners. The facade is a "wind" (= architectural development of the church hide behind) and, with the bell tower leads to a courtyard that opens up via Pisa and visually determining the crossing with Via Cantore also ' orientation of the entrance of the church. The interior is an interesting mix between a longitudinal plan and central plan obtained by the shape of the classroom which allowed a provision of part of sessions on axis with the altar and the other "fan" around it along the lines of the churchyard and the entire composition. Then hit the two "wings" trims connecting walls and ceiling, leaving a glimpse of the ribs of the roof and skylights. For the exterior were chosen, in an abstract composition, slabs of white stone trani, stone, zinc oxide and glass.
Sunday, November 21, 2010
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be demolished - a residential building in via San Calocero
Start new heading with this building recently built (2007) in the historical center of Milan. The elements that distinguish it from the bow window to be 80 years with blue mirrored glass and mullions to materials such as black granite cemetery stand ..... a masterpiece!
Start new heading with this building recently built (2007) in the historical center of Milan. The elements that distinguish it from the bow window to be 80 years with blue mirrored glass and mullions to materials such as black granite cemetery stand ..... a masterpiece!
Sunday, November 14, 2010
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milan change - residential building in Viale Certosa
reporting on the arch. Serra have photographed (as usual in a day not suited to the rain) a residential building in Viale Certosa 92. The building has a design agreed with volumes of cut diagonally net created also by the particular shape of the lot and cut between Viale Certosa Via Marcantonio by the king.
the modernity of the lines is a counterpoint to the use of traditional materials like stone of the Milan strain (which unfortunately in the entrance wall is ruined by the all too visible leakage of small slabs of stone) and the distribution of the apartment balcony first 4 planes belonging Lombard culture of tenements.
reporting on the arch. Serra have photographed (as usual in a day not suited to the rain) a residential building in Viale Certosa 92. The building has a design agreed with volumes of cut diagonally net created also by the particular shape of the lot and cut between Viale Certosa Via Marcantonio by the king.
the modernity of the lines is a counterpoint to the use of traditional materials like stone of the Milan strain (which unfortunately in the entrance wall is ruined by the all too visible leakage of small slabs of stone) and the distribution of the apartment balcony first 4 planes belonging Lombard culture of tenements.
Sunday, November 7, 2010
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changing milan - milan Salaino 10
Back away from Bridges (Lamborghini Center ) I decided to take a step away Salaino to see where the residential building was designed by Citterio & Partners. It 's almost finished and looks really well with the reflective surfaces of the panels of etched glass and gilt-bronze front ventilated cement gray. The ash coating thermo running along the perimeter of the terraces and serves to hide the mechanisms of protection from the wind of the lodges, has yet to be placed on the walls of the lodges themselves.
When the building is finished, back from the road, will have a garden in front and back (visually connected with the park Solari). Inside geothermal heat pumps, which enable it to achieve Class A. We come back again because it deserves it.
Back away from Bridges (Lamborghini Center ) I decided to take a step away Salaino to see where the residential building was designed by Citterio & Partners. It 's almost finished and looks really well with the reflective surfaces of the panels of etched glass and gilt-bronze front ventilated cement gray. The ash coating thermo running along the perimeter of the terraces and serves to hide the mechanisms of protection from the wind of the lodges, has yet to be placed on the walls of the lodges themselves.
When the building is finished, back from the road, will have a garden in front and back (visually connected with the park Solari). Inside geothermal heat pumps, which enable it to achieve Class A. We come back again because it deserves it.
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changing - lamborghini center
Today rainy and depressing. To recover a little morale went to see me the Lamborghini Centro (architect D. Benitez) and I took some pictures (coming to rain and bad light but it does not matter). The design inspired by the front air intake of the Gallardo impresses with its dynamism. Unfortunately, since the dealership closed, I could not look at the interiors ... will be for next time!
Today rainy and depressing. To recover a little morale went to see me the Lamborghini Centro (architect D. Benitez) and I took some pictures (coming to rain and bad light but it does not matter). The design inspired by the front air intake of the Gallardo impresses with its dynamism. Unfortunately, since the dealership closed, I could not look at the interiors ... will be for next time!
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